Yesterday morning I began by going to Sainte-Chapelle, which was built in 1248 and boasts the possession of the crown of thorns. The colors inside are dream-like, and the stained glass is like nothing I’ve ever seen elsewhere. It is small, but it possesses great architectural harmony. This is probably because it was built in only five years under the direction of one architect, unlike Notre-Dame which took over 200 years to build.
Then I walked over to the Latin Quarter and paid a visit to Shakespeare & Company (our rival used bookstore in Paris). There was no sign of George Whitman, or any of the aspiring writers he allows to crash there (not a bad gig as you have a view of Notre-Dame across the river). I know that George is in semi-retirement…maybe this doesn’t happen anymore.
I walked up and down the tiny streets and wide boulevards winding my way back along the Seine to my hotel. I took a nap and then headed to the Pompidou which is the museum for modern art here in Paris. I decided to have dinner at the top of the museum as I have heard it offers a beautiful view of the sunset over Paris and it did, but by the time my fancy meal was finished the museum was about to close. So I made it an early evening, returned to the hotel and fell asleep watching the only American TV show I have found so far that isn’t dubbed: The Office (with subtitles in French).
This morning it was a bit rainy, and since I wanted to get back to the Louvre, I did. The Metro has a stop that brings you in underneath the museum. For a limited time, the Louvre has a special showing of works by the greatest of all ancient Greek sculptors, Praxiteles. For this special presentation of his work they have gathered sculptures from all over the world, even the Vatican. It was amazing, but no pictures allowed—I snapped three before I was warned in French by a museum guard.
Since I missed the art of the Pompidou last night, that is where I went to next. It was much better than the Tate in London—more on par with the MOMA in NYC. There was a little of everything. As I understand it, there is no permanent collection—it constantly changes. What is particularly intriguing is how many new artists get represented there. I guess Paris has always been the place where new art is first recognized. Many years ago the poet John Ashbery began his career writing for “Art News” which covered many of those “new” artists whose names are now part of our common vernacular.
Tomorrow will be a long day of travel. Up very early and to the airport in Paris I fly to London where I wait two hours for my nine hour flight back to Miami. By the time I drive back home from MIA it will be 2:00 AM Paris time (8:00 PM Florida time). I have one day to recover from the jet-lag and then it’s back to work.
